She said, “There are no accidents.”
I didn’t know
how this could be true.
how can everything
dark accidents made beneath shadows, discovery of a dead chickadee under the apple tree, red-blooded accidents of visitors from the past, wine spilling, i didn’t mean to say that, in that way, it was just an accident, golden accidents of passion, down by the horse barn out of sight, a secret is discovered, the timing of your visit, what filled the emptiness when you were gone, the rippling accident of water splashing over the edges of the bowl that I carry to put out the fire. (JTJ)
“The teacher comes when the soul, not the ego, is ready.” –Clarissa Pinkola Estés
“To love truly takes a hero who can manage his own fear.” –Clarissa Pinkola Estés
As a writing Sherpa and transpersonal counselor, I invite my students and clients to explore fairytales to help them make meaning of their lives and to help them translate personal experiences into story. One of my favorite fairytales (as told by Clarissa Pinkola Estes) is SKELETON WOMAN. This tale is rich in metaphor, along with an invitation to explore the realities of love relationships. Skeleton Woman encourages us to take a look at what we have snagged in our fishing lines. She is that one reality you cannot escape, and that something you brought upon yourself, seemingly through an accident.
So, for this week’s blog I invite you to read Skeleton Woman. Let this tale speak to you and help you to explore your life and writing at this time. Perhaps write a poem, or a different version of this tale. And this blog, is my valentines to you, my dear cherished reader.
Give yourself permission to go where you want with this. Are you the fisherman? Are you the Skeleton Woman? Who or what have you snagged? What appears to be chasing you? What accidents have taken you in another direction? What has shown up in your life that you don’t feel ready for?
“Three things differentiate living from the soul versus living from the ego only. They are: the ability to sense and learn new ways, the tenacity to ride a rough road, and the patience to learn deep love over time.” –Clarissa Pinkola Estés
Skeleton Woman as told by Clarissa Pinkola Estes
She had done something of which her father disapproved, although no one any longer remembered what it was. But her father had dragged her to the cliffs and thrown her over and into the sea.
There, the fish ate her flesh away and plucked out her eyes. As she lay under the sea, her skeleton turned over and over in the currents.
One day a fisherman came fishing, well, in truth many came to this bay once. But this fisherman had drifted far from his home place and did not know that the local fisherman stayed away, saying this inlet was haunted. The fisherman’s hook drifted down through the water, and caught of all places, in the bones of Skeleton Woman’s rib cage.
The fisherman thought, “Oh, now I’ve really got a big one! Now I really have one!” In his mind he was thinking of how many people this great fish would feed, how long it would last, how long he might be free from the chore of hunting. And as he struggled with this great weight on the end of the hook, the sea was stirred to a thrashing froth, and his kayak bucked and shook, for she who was beneath struggled to disentangle herself. And the more she struggled, the more she tangled in the line. No matter what she did, she was inexorably dragged upward, tugged up by the bones of her own ribs.
The hunter had turned to scoop up his net, so he did not see her bald head rise above the waves, he did not see the little coral creatures glinting in the orbs of her skull, he did not see the crustaceans on her old ivory teeth.
When he turned back with his net, her entire body, such as it was, had come to the surface and was hanging from the tip of his kayak by her long front teeth.
“Agh!” cried the man, and his heart fell into his knees, his eyes hid in terror on the back of his head, and his ears blazed bright red. “Agh!” he screamed, and knocked her off the prow with his oar and began paddling like a demon toward shoreline. And not realizing she was tangled in his line, he was frightened all the more for she appeared to stand upon her toes while chasing him all the way to shore.
No matter which way he zigged his kayak, she stayed right behind, and her breath rolled over the water in clouds of steam, and her arms flailed out as though to snatch him down into the depths. “Agh!” he wailed as he ran aground. In one leap he was out of his kayak, clutching his fishing stick and running, and the coral white corpse of skeleton woman, still snagged in the fishing line, bumpety-bumped behind right after him. Over the rocks he ran, and she followed. Over the frozen tundra he ran, and she kept right up. Over the meat laid out to dry he ran, cracking it to pieces as his mukluks bore down.
Throughout it all she kept right up, in fact, she grabbed some of the frozen fish as she was dragged behind. This she began to eat, for she had not gorged in a long, long time. Finally, the man reached his snowhouse and dove right into the tunnel and on hands and knees scrabbled his way into the interior. Panting and sobbing he lay there in the dark, his heart a drum, a mighty drum. Safe at last, oh so safe, yes, safe thank the Gods, Raven, yes, thank Raven, yes, and all bountiful Sedna, safe… at…last. Imagine when he lit his whale oil lamp, there she – it – lay in a tumble upon his snow floor, one heel over her shoulder, one knee inside her rib cage, one foot over her elbow.
He could not say later what it was, perhaps the firelight softened her features, or the fact that he was a lonely man… but a feeling of some kindness came into his breathing, and slowly he reached out his grimy hands and using words softly like a mother to child, began to untangle her from the fishing line. “Oh, na, na, na.” First he untangled the toes, then the ankles. “Oh, na, na, na.” On and on he worked into the night, until dressing her in furs to keep her warm, Skeleton Woman’s bones were all in the order a human’s should be. He felt into his leather cuffs for his flint and used some of his hair to light a little more fire. He gazed at her from time to time as he oiled the precious wood of his fishing stick and rewound the gut line.
And she in the furs uttered not a word – she did not dare – lest this hunter take her out and throw her down to the rocks and break her bones to pieces utterly. The man became drowsy, slid under his sleeping skins, and soon was dreaming. And sometimes as humans sleep, you know, a tear escapes from the dreamer’s eye; we never know what sort of dream causes this, but we know it is either a dream of sadness or longing. And this is what happened to the man. Skeleton Woman saw the tear glisten in the firelight and she became suddenly soooo thirsty. She tinkled and clanked and crawled over to the sleeping man and put her mouth to his tear.
The single tear was like a river and she drank and drank and drank until her many-years-long thirst was slaked. While lying beside him, she reached inside the sleeping man and took out his heart, the mighty drum. She sat up and banged on both sides of it: Bom Bomm!…..Bom Bomm! As she drummed, she began to sing out “Flesh, flesh, flesh! Flesh, Flesh, Flesh!” And the more she sang, the more her body filled out with flesh. She sang for hair and good eyes and nice fat hands. She sang the divide between her legs, and breasts long enough to wrap for warmth, and all the things a woman needs. And when she was all done, she also sang the sleeping man’s clothes off and crept into his bed with him, skin against skin.
She returned the great drum, his heart, to his body, and that is how they awakened, wrapped one around the other, tangled from their night, in another way now, a good and lasting way. The people who cannot remember how she came to her first ill fortune say she and the fisherman went away and were consistently well fed by the creatures she had known in her life under water. The people say that it is true and that is all they know.
“When one or the other lover attempts to run from the relationship, the relationship is paradoxically invested with more life” –Clarissa Pinkola Estés
Look what you’ve hauled up
from the dark green water
Snagged in your fishing line
you pull her up on shore
She drags behind you
Clanking against the broken ground
her body a mighty song
You can’t escape her.
As she drags and clanks
Dirt on bone
becomes blood and flesh
Blank sockets become eyes
your tangled line pulls her upright
you run faster
as she appears to be chasing you
Her flesh shapes into hips, breasts, lips
She has something to tell you
Put down the guide book
empty your pockets of old journals
and field notes
toss out those keys
to the old home
Reach out your hand
untangle the line
the breathlessness is yours
She has something to give you
Three centuries now
You have cast your line
returning home with just enough to feed yourself
and maybe a visitor
for a few days
Stop. Running. Turn. Around.
Look at her
Her lips full
Shaped like a quarter moon
rising and opening in the crepuscular hour
She is not chasing you
she is speaking
Listen. (February 5th, 2017, JTJ)